ARTICLES
2020 - present
The Dance Between Manet and Degas
Hyperallergic, December 11, 2023
A Tantalizing Glimpse Into a Renaissance Art Family Drama
Hyperallergic, December 3, 2023
Max Beckmann’s Singular Path
Hyperallergic, October 19, 2023
Pier Paolo Pasolini’s Marxist Criticism of Painting
Hyperallergic, September 14, 2023
Artworks as Portent and Balm
Hyperallergic, March 26, 2021
SIN, a Gritty and Sublime Biopic of Michelangelo
(with Paul D'Agostino and David Boffa)
Hyperallergic, February 20, 2021
Trump’s Last Act
Hyperallergic, January 16, 2021
The Year Without Art, 2020
Hyperallergic, December 26, 2020
The Bioweapons of Culture War
Hyperallergic, November 28, 2020
Raging in the Pandemic’s Grip
Hyperallergic, May 16, 2020
2019
The Pursuit of Art, 2019
Hyperallergic, December 28, 2019
Marino Marini’s Scarred Monumentality
Hyperallergic, December 21, 2019
Painting on a Knife’s Edge
Hyperallergic, December 14, 2019
Drawing as Refuge
Hyperallergic, December 7, 2019
When Trauma Becomes Art
Hyperallergic, November 16, 2019
Answering the Colonizers of Modernism
Hyperallergic, November 2, 2019
The Gnarly, Sassy Minimalism of Tom Doyle
Hyperallergic, October 19, 2019
Strokes of Conflict
Hyperallergic, September 21, 2019
An Unlikely Matchup of Paper and Steel
Hyperallergic, September 14, 2019
Piero Manzoni and the Reinvention of Art
Hyperallergic, July 20, 2019
Leonardo and His Double
Hyperallergic, July 13, 2019
The Searing Beauty of Nancy Spero
Hyperallergic, June 22, 2019
Visions of Home, from Dream Memories to Trump Country
Hyperallergic, June 1, 2019
Lucian Freud’s Mountains of Flesh
Hyperallergic, May 18, 2019
Encountering “The Fulbright Triptych”
Hyperallergic, May 11, 2019
Escaping the Neo-Conceptualist Bubble
Hyperallergic, May 4, 2019
The Colors of the Sixties
Hyperallergic, April 6, 2019
A Frankenstein for the Forever Wars
(with Paul D'Agostino)
Hyperallergic, March 23, 2019
The Alternate Modernism of a Modernist Pioneer
Hyperallergic, March 16, 2019
Painting Paradoxes of Family, Race, and Prison
Hyperallergic, March 9, 2019
Egon Schiele’s Impudent Offspring
Hyperallergic, February 2, 2019
What Freedom Costs
Hyperallergic, January 26, 2019
Louise Lawler’s Quiet Melancholy
Hyperallergic, January 26, 2019
2018
The Pursuit of Art, 2018
Hyperallergic, December 29, 2018
Kara Walker Invites You to a Public Hanging
Hyperallergic, December 22, 2018
Hoarding and Spending at Art Basel Miami Beach
Hyperallergic, December 15, 2018
The Anti-Caravaggio
Hyperallergic, December 8, 2018
The Brutalist Invasion of Phyllida Barlow
Hyperallergic, November 24, 2018
Italian Painting, Before the Fall
Hyperallergic, November 17, 2018
The Ghost of Roy Cohn
Hyperallergic, November 10, 2018
Caravaggio’s Mark of Madness
Hyperallergic, November 10, 2018
Art of Eternal Twilight
Hyperallergic, November 3, 2018
Catherine Sullivan’s X-Ray Dreams
Hyperallergic, September 15, 2018
Pure Paint, Impurely Deployed
Hyperallergic, August 18, 2018
Nostalgia and Reality in Picasso, Schiele, and Klimt
Hyperallergic, August 11, 2018
Hand-Copying the Constitution and Other Responses to Trump
Hyperallergic, July 7, 2018
Egon Schiele’s God of Desire
Hyperallergic, June 16, 2018
Chronicling the Stains of History
Hyperallergic, May 26, 2018
The Spirit of Painting in an Altered World
Hyperallergic, May 12, 2018
The Scribes Somehow Survive
(with Paul D'Agostino)
Hyperallergic, May 5, 2018
Philip Guston’s Echoes
Hyperallergic, April 28, 2018
The Dazzling Sweep of the Hunter Color School
Hyperallergic, April 7, 2018
Allan Kaprow, Before the Happenings
Hyperallergic, March 3, 2018
Leon Golub’s Cycles of History
Hyperallergic, February 10, 2018
2017
The Pursuit of Art, 2017
Hyperallergic, December 30, 2017
Michael Landy’s Art of Destruction and Renewal
Hyperallergic, December 9, 2017
The Iconoclastic Kinship of Kiefer and Rodin
Hyperallergic, November 25, 2017
Art Among the Ruins
Hyperallergic, November 18, 2017
Michelangelo’s Majestic Humanity
Hyperallergic, November 11, 2017
Arshile Gorky’s Heretical Abstractions
Hyperallergic, November 11, 2017
Alberto Savinio’s Pre-Postmodern Grotesque
Hyperallergic, November 4, 2017
Perfection of Form, Color, Space, and Light
Hyperallergic, October 14, 2017
Amedeo Modigliani’s Identity Politics
Hyperallergic, October 7, 2017
When Art Refuses to Let Go
Hyperallergic, September 23, 2017
The High Drama of Hot Color in a Field of Black
Hyperallergic, September 16, 2017
The Blindness of Edgar Degas
Hyperallergic, August 5, 2017
Helen Frankenthaler's Panoramas of Paint
Hyperallergic, July 15, 2017
The Open-Ended Narratives of a Small Museum
Hyperallergic, June 24, 2017
Merrill Wagner's Puzzles in Color and Tape
Hyperallergic, June 10, 2017
John D. Graham and "Another Way of Making Modern Art"
Hyperallergic, June 3, 2017
The Feminist Avant-Garde, Now More than Ever
Hyperallergic, May 20, 2017
On Life and Work: Hannah Black and Petra Buchegger
Hyperallergic, May 13, 2017
Patricia Satterlee's Painterly Silence Hyperallergic, May 6, 2017
Life After Art: William Powhida's Futures Market
Hyperallergic, April 22, 2017
The Essential Egon Schiele
Hyperallergic, April 1, 2017
Field Report on an Artist and Her Pigs
Hyperallergic, March 25, 2017
The Contradictory Al Taylor
Hyperallergic, March 4, 2017
Creature Discomfort: Art in the Cycle of History
Hyperallergic, February 25, 2017
Death Wish: Raymond Pettibon at the New Museum
Hyperallergic, February 11, 2017
In Memoriam Dore Ashton
Hyperallergic, February 4, 2017
The Use and Abuse of Paint: 'Fast Forward' at the Whitney
Hyperallergic, January 28, 2017
Jenny Holzer's Blowtorch in the Darkness
Hyperallergic, January 28, 2017
Drawing in a Time of Fear & Lies
Hyperallergic, January 14, 201
Elizabeth Murray, Force of Nature
Hyperallergic, January 14, 2017
Hard Looking: Proust and Gauguin on Art
Hyperallergic, January 7, 2017
2016
The Pursuit of Art, 2016
Hyperallergic, December 31, 2016
Another Hidden Chapter of '70s Abstraction
Hyperallergic, December 17, 2016
The Body Politic, in the Flesh
Hyperallergic, November 26, 2016
The Worst Years of Our Lives
Hyperallergic, November 19, 2016
The Fateful Attraction of Jasper Johns and Edvard Munch
Hyperallergic, November 12, 2016
The Extravagant Intimacy of Pipilotti Rist
Hyperallergic, October 29, 2016
Blurred Boundaries and Other Connections
Hyperallergic, October 22, 2016
The Work of Hands: Rachel Beach’s 'Touchstone'
Hyperallergic, October 15, 2016
Surrendering to the Women of Vienna
Hyperallergic, October 1, 2016
"The Point at Which All Ideas Fall Apart": Fred Sandback's Grand Illusions
Hyperallergic, September 24, 2016
Sending Collage Down a Rabbit Hole
Hyperallergic, September 17, 2016
A Struggle for Balance
Hyperallergic, September 10, 2016
How Do You Say Goodbye to a Painting?
Hyperallergic, August 27, 2016
The Enabler
Hyperallergic, August 13, 2016
When a Splotch Isn’t Just a Splotch
Hyperallergic, August 6, 2016
Art, Work, and the Workaday
Hyperallergic, July 30, 2016
The Shelf Life of Political Art
Hyperallergic, July 23, 2016
Contemplating Perfection and Imperfection at Dia:Beacon
Hyperallergic, July 16, 2016
Painting from the Ground Up
Hyperallergic, July 9, 2016
From Flint with Love, Art of the African Diaspora
Hyperallergic, July 2, 2016
Agnes Martin, Irreproducible
Hyperallergic, June 18, 2016
A Community Maintains Its Monument
Hyperallergic, June 11, 2016
The Formation of Georgia O’Keeffe
Hyperallergic, June 11, 2016
Myth, Flesh, and Three Paintings by Charles Garabedian
Hyperallergic, June 4, 2016
Adam Simon's Deadeye Realism
Hyperallergic, May 28, 2016
Inclusive, Eclectic, Dazzling: The Paintings of Katherine Tzu-Lan Mann
Hyperallergic, May 21, 2016
Lessons in Gigantism: Richard Serra Makes It Work
Hyperallergic, May 14, 2016
Never Mind the Bollocks, It’s the Met's Breuer Now
Hyperallergic, May 7, 2016
Flesh and Bones: Philip Guston's "Thingness"
Hyperallergic, April 30, 2016
Theater, Science, Music: The Expansive Art of Fausto Melotti
Hyperallergic, April 23, 201
Smeary Smeary Edgar Degas
Hyperallergic, April 16, 2016
Fearless Symmetries: Judith Braun's Carbon-Based Art Forms
Hyperallergic, April 9, 2016
What Isn’t There: Audra Wolowiec's Sounds, Scents, and Erasures
Hyperallergic, April 2, 2016
Take Me to the River: William Buchina's Redemption Paintings
Hyperallergic, March 26, 2016
Starkly Alien and Intimately Familiar: Maria Bussmann's Drawings of Numbers and Words
Hyperallergic, March 19, 2016
A Painter’s Progress: Monique Mouton's Rough Edges
Hyperallergic, March 5, 2016
Firestarter: Otto Piene's Elemental Art
Hyperallergic, February 27, 2016
Paint as Language, Language as Paint: Paul D'Agostino's Chromatic Alphabet
Hyperallergic, February 13, 2016
History, Music, Freedom: Anri Sala's Art of the Actual
Hyperallergic, February 6, 2016
Encircling Darkness: Fred Valentine's Intimate Portraits
Hyperallergic, February 6, 2016
Discourse, Dazzle, and Snap: Jonathan Lasker's New Paintings
Hyperallergic, January 30, 2016
Graffiti 2.0: Jeff Schwarz's Ceramic Abstractions
Hyperallergic, January 23, 2016
History Repeating Itself: Tragedy, Farce, and Judith Bernstein
Hyperallergic, January 16, 2016
Not Necessarily Pleasant: The Paintings of Juanita McNeely
Hyperallergic, January 9, 2016
Broken Utopia: Abstract Painting in Italy
Hyperallergic, January 2, 2016
2015
The Pursuit of Art, 2015
Hyperallergic, December 26, 2015
Built-In Fracture: Donald Baechler in the 1980s
Hyperallergic, December 19, 2015
Seeking the Real at Art Basel Miami Beach
Hyperallergic, December 12, 2015
Slipping from Grasp: The Photographs of John Brill
Hyperallergic, December 5, 2015
An Early Thanksgiving: The Wagner Gift to the Whitney
Hyperallergic, November 21, 2015
Mapping the Body: Mark Bradford's New Work
Hyperallergic, November 14, 2015
Bodies at War: 'Soldier, Spectre, Shaman' at MoMA
Hyperallergic, November 7, 2015
Something Worth Arguing About: Frank Stella Fills the Whitney
Hyperallergic, October 31, 2015
"Insanity, Chaos, Weirdness": Gregory Gillespie's Solitary Path
Hyperallergic, October 24, 2015
Coming Back to Kiefer
Hyperallergic, October 17, 2015
Unreliable Informants: A Walid Raad Primer
Hyperallergic, October 10, 2015
Every Picture in the World: William Buchina's Dream Logic
Hyperallergic, October 3, 2015
The Skin She Lives In: Jackie Saccoccio Paints Big
Hyperallergic, September 19, 2015
Wreckage upon Wreckage: Elana Herzog's 'Angel of History'
Hyperallergic, September 12, 2015
The Anti-Expressionist: Jack Tworkov's Paradigm Shift
Hyperallergic, September 5, 2015
Going Meta: Art after the Death of Art
Hyperallergic, August 22, 2015
Failing Better: Erroneous Art at Lisa Cooley
Hyperallergic, August 15, 2015
Tales from the Darkside: Narrative Drawings at the Hunterdon Art Museum
Hyperallergic, August 15, 2015
Alien Forms: 'Cosmicomics' at Frosch&Portmann
Hyperallergic, July 25, 2015
The Presence of Absence: Three Artists at Brian Morris
Hyperallergic, July 18, 2015
The Other Side of Portraiture
Hyperallergic, July 11, 2015
Staring Back: 400 Years of Portraits at the Morgan
Hyperallergic, July 4, 2015
Earned Magic: Alison Hall's Deceptive Monochromes
Hyperallergic, June 27, 2015
Colored Dots and Brass Tacks: The Paintings of Andrew Forge
Hyperallergic, June 20, 2015
Loaded History: Marino Marini’s Armless Juggler
Hyperallergic, June 13, 2015
The Uses of Enchantment: Filling an Empty Altarpiece
Hyperallergic, June 7, 2015
Lighter than Air: Desire Across Millennia
Hyperallergic, June 6, 2015
Twice-Murdered: Pasolini as Street Art
Hyperallergic, May 30, 2015
Speaking the Language of Paint: Karen Schwartz at Life on Mars
Hyperallergic, May 23, 2015
Into the Abyss: Judith Bernstein's Dissection of Desire
Hyperallergic, May 16, 2015
Deleted Boundaries: Japanese Art at the Met
Hyperallergic, May 9, 2015
The Triumph of Revisionism: The Whitney's American Century
Hyperallergic, May 2, 2015
The Nature of Things: Daisy Youngblood's Clay, Sticks and Stones
Hyperallergic, April 25, 2015
A Universe of Drawing, Rolled into a Single Room
Hyperallergic, April 18, 2015
Clearing the Slate: MoMA's Contemporary Reboot
Hyperallergic, April 4, 2015
Confounding the Eye: "Breaking Pattern" at Minus Space
Hyperallergic, March 28, 2015
Taking the Minimal Out of Minimalism: Robin Peck's Abstract Skulls
Hyperallergic, March 14, 2015
Forever Young: The Rapturous Art of Edith Schloss
Hyperallergic, March 7, 2015
Quickly Aging Here: The 2015 Triennial
Hyperallergic, February 28, 2015
Dark Matter: Jason Karolak's Wayward Abstractions
Hyperallergic, February 21, 2015
Shadow and Substance: Patrick Killoran's Faustian Bargain
Hyperallergic, January 24, 2015
2014
The Pursuit of Art, 2014
Hyperallergic, December 27, 2014
The Death of Painting: All-New, 2014 Edition
Hyperallergic, December 20, 2014
Alberto Giacometti's Art of the Impossible
Hyperallergic, December 6, 2014
Neo-Conceptual Process-Revival: Sam Lewitt's 'Casual Encounters'
Hyperallergic, November 29, 2014
Ursula von Rydingsvard and the Drill Bit's Caress
Hyperallergic, November 22, 2014
Moving Targets: The Invisible Hand of Hans Haacke
Hyperallergic, November 15, 2014
Gods and Monsters: Cubism at the Met
Hyperallergic, November 8, 2014
Painter, Interrupted: Losing Egon Schiele
Hyperallergic, November 1, 2014
"Tormented by Several Devils": Théodore Rousseau's Wild Styles
Hyperallergic, October 25, 2014
Robert Gober's Unanswered Questions
Hyperallergic, October 18, 2014
The Way the World Ends: Jude Tallichet's U-Turn
Hyperallergic, October 18, 2014
Paintings Like Sand in Your Teeth: John Walker at Seal Point
Hyperallergic, October 11, 2014
Shrapnel from the Skies: The Paintings of David Lynch
Hyperallergic, October 11, 2014
Four Artists, Breezing through Materials and Ideas
Hyperallergic, October 4, 2014
A Group Show, for the Pleasure of Its Company
Hyperallergic, October 4, 2014
Strangely Familiar: The Art of the Chinese Album
Hyperallergic, September 27, 2014
Memory and Regret: Jenny Holzer's "Dust Paintings"
Hyperallergic, September 20, 2014
Blood and Soil: Vienna Actionism's Dangerous Game
Hyperallergic, September 13, 2014
In Search of Intimacy: Fall Museum Shows in New York
Hyperallergic, September 6, 2014
A Fundamental Rupture: "Itself Not So" at Lisa Cooley
Hyperallergic, August 16, 2014
More Now than Then: When Art Reaches Back
Hyperallergic, August 16, 2014
Paintings on Paper, Abstract and Effervescent
Hyperallergic, August 9, 2014
The Familiar, the Boisterous, the Unexpected, and the Absurd
Hyperallergi, August 2, 2014
Story Lines: "The Intuitionists" at the Drawing Center
Hyperallergic, July 19, 2014
A Slice of Pie, a Painting of the Sea
Hyperallergic, July 12, 2014
Have a Nice Day: Jeff Koons and the End of Art
Hyperallergic, June 28, 2014
"Against the Art World and the World in General": Painting as Radical Critique
Hyperallergic, June 21, 2014
Tougher than the Rest: Joan Mitchell's Tree Paintings and Black Drawings
Hyperallergic, June 14, 2014
Nothing as It Seems: John Avelluto's Unrelenting Emptiness
Hyperallergic, May 31, 2014
Homage to Absurdity: The Restless Legacy of Dennis Oppenheim
Hyperallergic, May 24, 2014
Ars Sacra: Mozart, Proust, and a Polka-Dot Dress
Hyperallergic, May 17, 2014
A Viral Longing: Anna Maria Maiolino's Art of Dislocation
Hyperallergic, May 10, 2014
Burning into the Night: Maria Lassnig's 70 Years of Painting
Hyperallergic, May 3, 2014
One Hell at a Time: Matt Freedman's Cancer Chronicles
Hyperallergic, April 26, 2014
Monsters' Ball: Peter Saul and the Company He Keeps
Hyperallergic, April 19, 2014
Down in Jungleland: Laura Sharp Wilson's Crystalline Delirium
Hyperallergic, April 12, 2014
Like It Is: William Powhida at Postmasters
Hyperallergic, April 5, 2014
Probing the Unknowable: Judith Bernstein's Black Light Paintings
Hyperallergic, April 5, 2014
Connecting Across Time: Piero at the Met
Hyperallergic, March 29, 2014
Fresh from the Cosmic Junk Heap: The Sculpture of Peter Buggenhout
Hyperallergic, March 22, 2014
Everlasting Love: Susan Silas's Intimate Photographs
Hyperallergic, March 15, 2014
Unfettered Simplicity: Susan Rothenberg's Horses
Hyperallergic, March 8, 2014
Impossible Beauty, Erotic and Sublime
Hyperallergic, March 1, 2014
Communal Spirits: Artists, Advocates and Unlocked Rooms
Hyperallergic, February 22, 2014
It's a Man's World: Inside a Postwar Art Time Capsule
Hyperallergic, February 15, 2014
Points of Contact: Small Works, Giant Steps
Hyperallergic, February 8, 2014
All of the Above: Lori Ellison's Dazzling Humility
Hyperallergic, February 1, 2014
Final Ascent: Joseph Beuys and the Languages of Art
Hyperallergic, January 25, 2014
Undiscovered Territory: Will Horwitt's Objects in Space
Hyperallergic, January 18, 2014
At Play in the Fields of Paint: Russell Tyler's "Analogue Future"
Hyperallergic, January 11, 2014
What Does It Mean to Be a Cultural Disrupter?
Hyperallergic, January 4, 2014
2013
The Pursuit of Art, 2013
Hyperallergic, December 28, 2013
Paintings in the Interzone: More from the Corridors of MoMA
Hyperallergic, December 21, 2013
Single Point Perspective: Pawel Althamer's Grass-Fed Surrealism
Hyperallergic, December 14, 2013
Painting, Perception, and the Emphatically Handmade
Hyperallergic, December 14, 2013
The Harshly Lit Darkness of Lucian Freud
Hyperallergic, December 7, 2013
For the Love of Paint: Leon Kossoff Digs Deep
Hyperallergic, November 30, 2013
Vanishing Virtuosity: Seven Artists, Seven Drawings
Hyperallergic, November 23, 2013
Tough, Raw and Paradoxical: Fabienne Lasserre's New Sculpture
Hyperallergic, November 16, 2013
Mr. Big Stuff: Richard Serra Piles It On
Hyperallergic, November 9, 2013
“Bernard Berenson: A Life in the Picture Trade” by Rachel Cohen
Bookforum, November 8, 2013
Single Point Perspective: "The Most Beautiful Drawing in the World"
Hyperallergic, November 2, 2013
This Is Not a Meal: Eating Magritte at MoMA
Hyperallergic, November 2, 2013
The Cultured and the Creepy: Balthus's Parting Shots
Hyperallergic, October 26, 2013
Parallel Strains: Arlene Shechet's Ceramic Abstractions
Hyperallergic, October 19, 2013
Moral Distortions: Versailles, Qatar, and Kings
Hyperallergic, October 19, 2013
Leaving Home: Rene Magritte in Brussels and Paris
Hyperallergic, October 12, 2013
Next Stop, Reality: A Sixties Radicalism Revisited
Hyperallergic, October 5, 2013
Heavy Metal Fatalist: Chris Burden at the New Museum
Hyperallergic, October 5, 2013
Spinning Tales: The Many Pages of Pablo Helguera
Hyperallergic, September 28, 2013
Glimmers Out of Time: Sol Lewitt's Walls
Hyperallergic, September 28, 2013
All Art Is Contemporary, Part 3: Florence
Hyperallergic, September 21, 2013
All Art Is Contemporary, Part 2: Arezzo
Hyperallergic, September 21, 2013
All Art Is Contemporary, Part 1: Rome
Hyperallergic, September 14, 2013
No Trespassing: The Art Museum You May Never See
Hyperallergic, August 31, 2013
Stay Cool: Art, August, and Acid
Hyperallergic, August 24, 2013
Reading in the Dark: Drawings from Australia
Hyperallergic, August 17, 2013
Between the Sheets: Art and Books at The Hole
Hyperallergic, August 17, 2013
Conspicuously Absent: When Art Goes Undercover
Hyperallergic, August 102013
Rock Hard: LaToya Ruby Frazier's Photo Excavations
Hyperallergic, August 3, 2013
Under Construction: Engaging with Art from the Ground Up
Hyperallergic, July 27, 2013
Intimate Distances: Kris Graves' Cold Comfort
Hyperallergic, July 20, 2013
Spinning a Web: When Art Addresses the Infinite
Hyperallergic, July 13, 2013
Single Point Perspective: Entropy Now
Hyperallergic, July 6, 2013
Painting on the Cusp: Abstraction of the 1980s
Hyperallergic, July 6, 2013
The New Casualists Strike Again
Hyperallergic, June 29, 2013
Crackup: Llyn Foulkes Gives Us the Art We Deserve
Hyperallergic, June 22, 2013
Bridge to Nowhere: Matthew Barney's Drawings
Hyperallergic, June 15, 2013
Wishing Upon a Star: Dan Colen's Escapist Fantasies
Hyperallergic, June 8, 2013
Guilt Complex: Selling Painting by the Square Foot
Hyperallergic, June 1, 2013
New Abstraction, 45 Years in the Making
Hyperallergic, June 1, 2013
Born Under a Bad Sign: Hard Luck, Art, and Tumors
Hyperallergic, May 25, 2013
Elia Alba: Interview
ART HAPS, May 23, 2013
Flowers of Retrenchment: Anselm Kiefer's Alternate History
Hyperallergic, May 18, 2013
From Lynch to the Lynchian and the Dreams in Between
Hyperallergic, May 11, 2013
Single Point Perspective: Durer's Doomed Knight
Hyperallergic, May 4, 2013
Running the Gamut: Trudy Benson's Flamboyant Restraint
Hyperallergic, May 4, 2013
Durer in DC: Some Observations on the Great Observer
Hyperallergic, April 27, 2013
The Writing on the Wall, the Paintings in the Basement
Hyperallergic, April 20,2013
Standing on the Edge of Space: Painting as Noun and Verb
Hyperallergic, April 20,2013
The Object Is Not an Object: Cubism, Photons and Two by Fours
Hyperallergic, April 13, 2013
Alien Skins: Experimental Italian Painting of the 1960s
Hyperallergic, April 13, 2013
"Revealing Soul" — Painting's Cosmological Constant
Hyperallergic, April 6, 2013
The Presence of Paint: Baker Overstreet's Pleasure Principle
Hyperallergic, March 30, 2013
In the Schnabel Chapel, Part 4
Hyperallergic, March 23, 2013
Speaking in Tongues: Art in Moods, Tenses,and Translations
Hyperallergic, March 23, 2013
Single Point Perspective: The Future of Henri Matisse
Hyperallergic, March 16, 2013
In the Schnabel Chapel, Part 3
Hyperallergic, March 9, 2013
Art Glut and How to Handle It
Hyperallergic, March 9, 2013
In the Schnabel Chapel, Part 2
Hyperallergic, February 23, 2013
The Hand of the Humanist: Leo Steinberg's Drawings at New York Studio School
Hyperallergic, February 16, 2013
In the Schnabel Chapel, Part 1
Hyperallergic, February 16, 2013
Waste Not: One Artist's Rules of the Game
Hyperallergic, February 9, 2013
Dispatches from Hell: Nancy Spero's Cruel Beauty
Hyperallergic, February 2, 2013
Art for the 1%, Then and Now
Hyperallergic, January 26, 2013
Skirting the Nether Regions: Black Cake at Team Gallery
Hyperallergic, January 19, 2013
Scraps and Squares: Cordy Ryman's Subversive Formalism
Hyperallergic, January 19, 2013
The Last of the True Believers
Hyperallergic, January 12, 2013
When Paintings Come Apart: Sharon Butler on the Inside Out
Hyperallergc, January 12, 2013
Art's Martyr: The Drawings and Paintings of Pier Paolo Pasolini
Hyperallergic, January 5, 2013
2012
The Pursuit of Art, 2012
Hyperallergic, December 29, 2012
MoMA's Show of Shows: "Inventing Abstraction, 1910-1925"
Hyperallergic, December 22, 2012
What Makes a Blockbuster
Hyperallergic, December 15, 2012
Big, Bigger, Biggest: Judith Bernstein Breaks Through
Hyperallergic, December 15, 2012
Single Point Perspective: Psychodrama, Duplicity and Other Forms of Beauty
Hyperallergic, December 8, 2012
The Right Way to Do It Wrong: Three Takes at the Whitney
Hyperallergic, December 8, 2012
Art for the Hell of It: The Sinister Side of Pop
Hyperallergic, December 1, 2012
Of Buttons and Babies, Arendt and Eichmann
Hyperallergic, November 24, 2012
Political Art, Galloping Out of the Past
Hyperallergic, November 17, 2012
Is Mark Bradford the Best Painter in America?
Hyperallergic, November 17, 2012
Bidding on Oblivion
Hyperallergic, November 10, 2012
What You Might Be Missing at MoMA
Hyperallergic, November 3, 2012
Sandy and the Scream
Hyperallergic, November 3, 2012
Single Point Perspective: Michelangelo's Telltale Elbow
Hyperallergic, October 27, 2012
Disappearing Act: Rosemarie Trockel at the New Museum
Hyperallergic, October 27, 2012
When a Painting Glows in the Dark
Hyperallergic, October 20, 2012
Will Design Save the World?
Hyperallergic, October 13, 2012
City of Women
Hyperallergic, October 13, 2012
Housetraining Weird Uncle Ferdinand
Hyperallergic, October 6, 2012
Is There Still Room for the Heroic?
Hyperallergic, September 29, 2012
Crime, Culture and Black Leather Shoes: A Talk with Dennis Adams
Hyperallergic, September 29, 2012
Empty Galleries, Empty Hands
Hyperallergic, September 22, 2012
One Paints, the Other Doesn't
Hyperallergic, September 22, 2012
Connoisseurs and Other Subversives
Hyperallergic, September 15, 2012
The Sculptor Pollock Would Never Be
Hyperallergic, September 15, 2012
When an Immovable Object Meets an Unstoppable Force
Hyperallergic, September 8, 2012
Single Point Perspective: Kafka's Object and Its Objectives
Hyperallergic, September 1, 2012
The Square in the Raw: Josef Albers' Unguarded Moments
Hyperallergic, August 25, 2012
Out of the Blue: Philip Glass, Robert Wilson and "Einstein on the Beach"
Hyperallergic, August 19, 2012
Flying Blind: de Kooning's "Closed-Eye" Drawings
Hyperallergic, August 18, 2012
Stopping Time: The Quay Brothers at MoMA
Hyperallergic, August 11, 2012
Up from the Mud: "The Parade" by Nathalie Djurberg
Hyperallergic, July 28, 2012
The Secret Life of Paintings
Hyperallergic, July 14, 2012
Single Point Perspective: Cardboard in the Dark
Hyperallergic, July 8, 2012
Single Point Perspective: A New Series
Hyperallergic, July 7, 2012
Tacit Approval: Tacita Dean's "Five Americans"
Hyperallergic, June 30, 2012
Lessons from an Unknown Master: Phyllida Barlow at the New Museum
Hyperallergic, June 23, 2012
No Country for Old Men
Hyperallergic, June 16, 2012
Oh Sue, If Only I Could Love You More
Hyperallergic, June 9, 2012
Lucian Freud's Wrong Turn
Hyperallergic, June 2, 2012
Cosmic Comic: Frank Stella's Fine Disregard
Hyperallergic, May 26, 2012
Worker Bees of the Art World, Unite
Hyperallergic, May 19, 2012
The End of Performance Art as We Know It
Hyperallergic, May 12, 2012
What You'd Least Expect on the Lower East Side
Hyperallergic, May 6, 2012
Free-Floating on the 13th Floor: Caroline Cox at the Clocktower
Hyperallergic, May 5, 2012
Are Artists the Best Curators
Hyperallergic, May 5, 2012
Michelangelo and His Double
NY Arts, Spring 2012
When Things Go Wrong: Serban Ionescu's "Secret History"
Hyperallergic, April 29, 2012
Pie in the Sky When You Die: Art, Money and Myth
Hyperallergic, April 28, 2012
Reverse Angles
Hyperallergic, April 22, 2012
Scripted Wars, Towers of Power
Hyperallergic, April 21, 2012
Rembrandt's Brush: A Ghost Story
Hyperallergic, April 14, 2012
How Free Is Free?
Hyperallergic, April 7, 2012
Indigestible Portions: Peter Saul at Mary Boone
Hyperallergic, March 31, 2012
The Uses of Dismemberment: MoMA's Exquisite Corpses
Hyperallergic, March 24, 2012
The Hand in the Garden, the Head in the Attic (The Golem Next Door, Part 2)
Hyperallergic, March 18, 2012
Mud, Blood and Lightning Bolts (The Golem Next Door, Part 1)
Hyperallergic, March 17, 2012
Poor Forrest, Dead and Gone
Hyperallergic, March 3, 2012
Down and Out at 75th and Madison
Hyperallergic, March 3, 2012
On the Necessity of Thinking Big: A Talk with Jason Andrew
Hyperallergic, February 25, 2012
Stealing the Triennial and Other Neat Tricks
Hyperallergic, February 18, 2012
Paper People and Rude Shocks
Hyperallergic, February 11, 2012
Toppled
Hyperallergic, February 4, 2012
God's Eye View
Hyperallergic, January 28, 2012
Everything Is Fine
Hyperallergic, January 22, 2012
Adrift in the Cosmos
Hyperallergic, January 14, 2012
2011
Patti Smith, MoMA and a Revolutionary Year
Hyperallergic, December 20, 2011
All That Is Solid, Etc.
Hyperallergic, November 4, 2011
Susan Rothenberg
The Brooklyn Rail, October 2011
In Conversation: Thomas Micchelli Interviews Linda Francis
NY Arts, Fall 2011
German Expressionism: The Graphic Impulse
The Brooklyn Rail, May 2011
In the Use of Others for the Change
The Brooklyn Rail, May 2011
Mary Judge: Pop-Oculus — New Works in Pigment
The Brooklyn Rail, March 2011
David Rabinowitch: Birth of Romanticism — New Works on Paper
The Brooklyn Rail, February 2011
Alternative Histories
The Brooklyn Rail, December 2010/January 2011
2010
Chaos and Classicism: Art in France, Italy, and Germany, 1918-1936
The Brooklyn Rail, November 2010
William Kentridge’s Black Box: Mozart, Goya, and the Darkening of the Enlightenment
Art:21, November 2010
Austin Thomas: Drawing on the Utopic
The Brooklyn Rail, October 2010
Hannah Wilke: Early Drawings
The Brooklyn Rail, October 2010
Santiago Sierra
The Brooklyn Rail, October 2010
Twilight of the Gods
The Brooklyn Rail, September 2010
Greater New York
The Brooklyn Rail, July/August 2010
Mark di Suvero
The Brooklyn Rail, July/August 2010
Dawn Clements
The Brooklyn Rail, May 2010
Brucennial 2010: Miseducation
The Brooklyn Rail, April 2010
William Kentridge: Five Themes
The Brooklyn Rail, March 2010
Philip Guston: Small Oils on Panel 1969-1973
The Brooklyn Rail, February 2010
2009
Regina Jose Galindo
The Brooklyn Rail, November 2009
William Blake's World: "A New Heaven Is Begun"
The Brooklyn Rail, October 2009
In Conversation: Abby Leigh
The Brooklyn Rail, October 2009
The Quay Brothers and the Argument for the Real
The Brooklyn Rail, September 2009
Michelangelo's First Painting
The Brooklyn Rail, July/August 2009
Dialing Back
Art:21, June 2009
Labyrinths
Art:21, June 2009
No Expectations
Art:21, June 2009
Money Changes Everything
Art:21, June 2009
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection
The Brooklyn Rail, June 2009
Pierrette Bloch
The Brooklyn Rail, June 2009
The Generational: Younger Than Jesus
The Brooklyn Rail, May 2009
Ishmael Randall Weeks
The Brooklyn Rail, May 2009
Leon Kossoff: From the Early Years — 1957-1967
The Brooklyn Rail, April 2009
Keren Cytter: Les Ruissellements Du Diable
The Brooklyn Rail, March 2009
Sade 2.0
Art:21, February 2009
Joan Banach: Citizen
The Brooklyn Rail, February 2009
Helen Mayer Harrison & Newton Harrison: Global Warming
The Brooklyn Rail, February 2009
2008
Divine Retribution
The Brooklyn Rail, December 2008 / January 2009
Eyal Danieli: in the mood for love
The Brooklyn Rail, November 2008
Leigh Ledare: You Are Nothing To Me. You Are Like Air
The Brooklyn Rail, October 2008
Shit: a group exhibition
The Brooklyn Rail, October 2008
Life on Mars: 55th Carnegie International
The Brooklyn Rail, September 2008
Francisco de Goya y Lucientes: The Disasters of War
The Brooklyn Rail, July/August 2008
Milton Resnick: A Question of Seeing
The Brooklyn Rail, June 2008
Our Myopia, Ourselves
The Brooklyn Rail, May 2008
Catherine Sullivan: Triangle of Need
The Brooklyn Rail, April 2008
Monumental Squalor
The Brooklyn Rail, March 2008
WACK! Art and the Feminist Revolution
The Brooklyn Rail, March 2008
Unmonumental: The Object in the 21st Century
Collage : The Unmonumental Picture
The Brooklyn Rail, February 2008
Anselm Kiefer: Paintings and Sculpture
The Brooklyn Rail, February 2008
2007
Alex McQuilkin: Joan of Arc
The Brooklyn Rail, December 2007/January 2008
Getting Over It: A Morality Tale
The Brooklyn Rail, November 2007
Peter Williams: Artistic Repair
The Brooklyn Rail, November 2007
Hysterical Blindness: Critical Mess and the Limits of Vision
The Brooklyn Rail, October 2007
Purgatory Lost: MASS MoCA Trashes Democracy
The Brooklyn Rail, October 2007
Christoph Büchel: Training Ground for Democracy
The Brooklyn Rail, September 2007
The Unknown Monet: Pastels and Drawings
The Brooklyn Rail, September 2007
Think with the Senses — Feel with the Mind: Art in the Present Tense
The Brooklyn Rail, July/August 2007
Dreaming of a Speech Without Words: The Paintings and Early Objects of H.C. Westerman
The Brooklyn Rail, June 2007
Will Barnet: Recent Work
The Brooklyn Rail, June 2007
Nicolas Carone: Sculpture
The Brooklyn Rail, June 2007
James Beck, Gadfly
The Brooklyn Rail, June 2007
Picasso, Braque and Early Film in Cubism
The Brooklyn Rail, May 2007
Role Play: Feminist Art Revisited 1960-1980
The Brooklyn Rail, April 2007
Suzanne Opton: Soldier
The Brooklyn Rail, March 2007
In/Visible: The Drawings of Maria Bussmann
The Brooklyn Rail, February 2007
Eija-Liisa Ahtila: The Wind
The Brooklyn Rail, December 2006/January 2007
2006
Charles Garabedian: Recent Paintings
The Brooklyn Rail, November 2006
Dash Snow: Silence Is The Only True Friend That Shall Never Betray You
The Brooklyn Rail, October 2006
Losing the Thread
The Brooklyn Rail, October 2006
Into Me / Out of Me
The Brooklyn Rail, September 2006
Jenny Holzer: Archive
The Brooklyn Rail, July/August 2006
Jenny Holzer: Night Feed
The Brooklyn Rail, July/August 2006
Judy Glantzman
The Brooklyn Rail, June 2006
Robert Lazzarini
The Brooklyn Rail, May 2006
Sean Hemmerle: Where Lines Are Drawn
The Brooklyn Rail, April 2006
Lynda Abraham: Compassion
The Brooklyn Rail, April 2006
Videodyssey
The Brooklyn Rail, April 2006
Thomas Hirschhorn: Superficial Engagement
The Brooklyn Rail, March 2006
Alfredo Jaar: Muxima
The Brooklyn Rail, March 2006
Maria Elena González: Internal DupliCity
The Brooklyn Rail, March 2006
The Downtown Show: The New York Art Scene, 1974-1984
The Brooklyn Rail, February 2006
Nils Karsten: Heaven Has No Happy Ending
The Brooklyn Rail, December 2005/January 2006
2005
Alex Katz: First Sight — Working Drawings from 1965–2002
The Brooklyn Rail, November 2005
Jesse Bercowetz and Matt Bua: Braggin Rites
The Brooklyn Rail, October 2005
March on Washington, September 24, 2005
(with Margaret Micchelli)
The Brooklyn Rail, October 2005
War / Hell: Master Prints by Otto Dix and Max Beckmann
The Brooklyn Rail, September 2005
Always a Little Further
The Brooklyn Rail, July/August 2005
OK/OKAY: Recent Art From Europe
The Brooklyn Rail, June 2005
Angela Strassheim: Left Behind
The Brooklyn Rail, May 2005
Elise Freda: Absence/Presence
The Brooklyn Rail, April 2005
On the Misallocation of Funds
The Brooklyn Rail, March 2005
Nin Brudermann: N.A.S.D. Projekt Fledermaus
The Brooklyn Rail, March 2005
The Book as Object and Performance
The Brooklyn Rail, February 2005
Giorgio Morandi
The Brooklyn Rail, December 2004/January 2005